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Wild City #260: Mo'Homo

Revisiting 'Women In Electronic Music' & The Role Of Ableton In Shaping New Voices

Yung Singh Launches Label 'EKTA' With New Single 'NUG46'

Wild City #259: Chutney Mary

Arooj Aftab, KR$NA, Natasha Noorani, Jorja Smith & More Come Together For Riz Ahmed's 'Bait'

Champak Introduce Themselves As The New Alt-Rock Band On The Block With 'Feed The Clown'

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News

NASH Steps Into A Producer's Role With A Remix For Nina Las Vegas

Nash, one of the busier DJs to have emerged out of New Delhi, debuts as a producer with a release on globally prominent artist Nina Las Vegas' NLV Records, remixing her track with Swick, 'Shot Caller', which features singer-songwriter Zanillya. Nash's remix affixes the immaculately percussive...

khokkosh. Doesn't Flinch From Distilling Unease Into Leftfield Pop On 'freeuse .org'

On her latest single 'freeuse .org', Yashomati Parveen aka khokkosh. keeps her sound in that spot...

That Boy Roby Set Out To Mix Haryanvi Ragini With Dub, End Up With A Psych-Rock Jam

Returning after 5 years on the release front, Chandigarh trio That Boy Roby set out to combine...

Rajah Betta Flips Classic Ad Jingles & South Asian Cultural Memory For The Club On 'Offcuts'

After shifting back to India last year, Mumbai-born NYC-honed DJ and producer Sagar aka Rajah Betta...

Yung Singh Launches Label 'EKTA' With New Single 'NUG46'

Yung Singh, one of the leading South Asian diaspora voices to emerge out of UK dancefloors, grows...

Features

Revisiting 'Women In Electronic Music' & The Role Of Ableton In Shaping New Voices

Nearly 7 years ago, Wild City hosted its latest iteration of 'Women In Electronic Music' (later to be prefaced as 'Selector Pro'), a series of music production workshops between 2017 and 2019 that were designed to make music-making more accessible to women and underrepresented voices in...

Review: RANJ Finds A Friend In Swaggering Rhythms On Debut Mixtape ‘27 CLUB’

Since the start of this decade, Ranjani Ramadoss aka RANJ has slowly risen as one of the leading new artists in the alternative music space of India, mostly in combination with producer Clifr. Starting from the confluence of indie-pop and R&B, and then occasionally dipping into hip-hop, the...

Mixes

Wild City #260: Mo'Homo

For Aadhi aka Mo'Homo, "community" isn't just a buzzword as his fledgling work so far testifies. If...

Wild City #259: Chutney Mary

As the person behind the gender diversity-centring club night QRAVE and the informative gatherings...

Wild City #258: Vishal Unni

Though Vishal Unni's Wild City mix lands in the techno territory, it is hardly about slamming drums...

Wild City #257: Nida x Choksi x Rafiki (ParaDisco)

Our latest Wild City mix from the dancefloors of ParaDisco, the party series founded by Mumbai's...

Wild City #256: EBITDA

After closing for the likes of Joy Orbison on nights like The Warehouse Project and going B2B with...

Wild City #255: Femme Music

Musician Sanoli Chowdhury and her manager Vinod Gadher (with past experience managing Talvin Singh...

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The Feed

NASH Steps Into A Producer's Role With A Remix For Nina Las Vegas

Wild City #260: Mo'Homo

khokkosh. Doesn't Flinch From Distilling Unease Into Leftfield Pop On 'freeuse .org'

That Boy Roby Set Out To Mix Haryanvi Ragini With Dub, End Up With A Psych-Rock Jam

Rajah Betta Flips Classic Ad Jingles & South Asian Cultural Memory For The Club On 'Offcuts'

Yung Singh Launches Label 'EKTA' With New Single 'NUG46'

Revisiting 'Women In Electronic Music' & The Role Of Ableton In Shaping New Voices

Review: RANJ Finds A Friend In Swaggering Rhythms On Debut Mixtape ‘27 CLUB’

Wild City #259: Chutney Mary

Wild City #258: Vishal Unni

Review: On ‘Babylon’s Camp’, Swadesi’s BamBoy Keeps Dubstep Political But In The Indian Context As Kaali Duniya

Wild City #257: Nida x Choksi x Rafiki (ParaDisco)

Wild City #256: EBITDA

Review: 'The Mumbai Exchange' Presents A Love Letter To 80s/90s Indian Disco-Pop

Review: ‘Algorave India Compilation One’ Marks a Milestone for India’s Creative Coders

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India's essential online music guide

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